Eric Weeks is an artist using photography and video, a curator, and Chair of the Photography Department at the Pennsylvania College of Art & Design in Lancaster, PA. His photographs have been exhibited internationally, and are in the permanent collections of the Los Angeles County Museum of Art, The Art Institute of Chicago, The Museum of Contemporary Photography, Maison Européene de la Photographie, the Bibliothéque Nationale, Yale University Art Gallery and the Sir Elton John Collection. His monograph World Was in the Face of the Beloved was published by Pablo’s Birthday (New York), and portfolios have appeared in Zoom, Photo+, Fahrenheit, and Dear Dave, among others. He was recently the Exhibition Director of the 2016 Jeonju International Photography Festival in Jeonju, South Korea. Weeks received a MFA from Yale University, and a BFA from the School of Visual Arts. He is represented by Galerie Catherine et André Hug in Paris.
His monograph A Rose By Any Other Name (Pennsylvania College of Art & Design) was published in 2019. Recent solo exhibitions include A Rose By Any Other Name at the Head On Photo Festival in Sydney, Australia in 2019. The series was also exhibited at the Selegie Arts Centre, The Photographic Society of Singapore and Kyungil University, South Korea, both in 2018; 17th Pingyao International Photography Festival, Pingyao, China and at the Seohak Art Space, Jeonju, South Korea, both in 2017. Recent Group Exhibitions include Teaching: A Conversation, Tyler School of Art, Philadelphia in 2018, and La Rêve Américain (Revisité), Galerie Catherine et André Hug, Paris in 2017.
The Wind Dies The Sun Sets (2016), a short film made in collaboration with Joshua Reiman, was named Open Call Winner, Art Speaks Out, ikonoTV, Berlin and screened at COP22, Arkane Arika, Marrakesh in 2016. In 2017, the film was a finalist at the Black Maria Film Festival, Jersey City, and screened at the 8thCairo Video Festival. In 2018, it was a semi-finalist at the G2 Green Earth film Festival, Los Angeles and exhibited at the Portland Museum of Art Biennial in Maine. In 2019, the film was screened at the ALC Festival Internacional de VideoArte in Alicante, Spain and at the Head On Festival in Sydney, Australia.